Monday, September 20, 2010

Fingerless mitt pattern roundup, part 5 – a few final gems

I can’t resist adding just a few gems I overlooked in my earlier posts – plus a couple of patterns just released this week. Then we’re all done! I’ve added permanent links to this pattern roundup series on the Knitfinder pattern resource page – click here to cut to the chase.

Why fingerless mitts? See the first post in the series.

Photos below are Ravelry screen shots, so scroll down for live links.

First, more color:
gems-7  
Four stranded designs – Marvelous Mitts in Koigu contrasted with a solid-color yarn, Companion Mitts in worsted-weight yarn (there’s a matching tam, too),  Sandia Mitts from Nanette Blanchard of Knitting in Color (look how elegantly the color dominance shades from one to the other) and Laise (worsted weight; you could leave off the half-fingers).

And:
gems-4Eliza Redux, pattern rewritten for sock-weight yarn (Noro Kureyon sock, here); slipstitch Mosaic Hand Warmers; Beth Brown-Reinsel’s Dalarna Snowflake Mitts (twined knitting, Aran-weight yarn); and Lucinda Guy’s stranded, modern-looking Yrsa Mitts in Icelandic laceweight yarn.

Now, a little more texture. Intricate:gems-1Nereid, Don’t Fence Me In, and Gable Mitts

And simpler:
gems-2
Waffle Stitch Fingerless Gloves, Malabrigo Hand Thingies with simple slipped-stitch detail on back, and Axel Mitts in bulky yarn with an extra-long ribbed cuff that will almost cover the fingers. All these would be great patterns for men.

Just a couple more lacy mitts:
gems-5Merletto combining lace and cables; Archie, simple bold lace in worsted-weight Kureyon; and Bonnie Mitts, in a particularly graceful ogee lace stitch pattern.

Last but not least, Josephine, brand new from Knitcircus Gifts, with a bit of deco-inspired twisted-stitch texture and plenty of beads:
gems-6

For fellowship and inspiration, join the Fingerless Glove Fanatics on Ravelry

Click here
to browse all 1,400+ free fingerless mitt patterns on Ravelry

Series:
Part 1 – textured mitts
Part 2 – colorful mitts
Part 3 – lacy mitts
Part 4 – plain & simple mitts

Saturday, September 18, 2010

Fingerless mitt pattern roundup, part 4 – plain & simple

Today, a dozen plain and simple mitts – because after all, you might be in a hurry, or need something easy, or you might just want to show off a beautiful yarn.

Why fingerless mitts? See the first post in the series.

Photos below are Ravelry screen shots, so scroll down for live links.
mitts-plain-and-simple1 
Above: Susie’s Reading Mitts (Aran weight yarn), 75 Yard Malabrigo fingerless mitts, Noro fingerless mitts (both worsted weight).

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 Above: Basic Fingerless Mitts in wide rib (DK yarn), Wrist Warmers with Belt (bulky yarn; knitted flat and sewn up, with ribbed palm for good fit), Lil’ Mitts (worsted weight, child size).

mitts-plain-and-simple4
 Above: Scrummy mitts for super-bulky yarn, Stevie fingerless gloves (DK or light worsted weight, with a sideways garter-stitch cuff and garter-stitch thumb), colorblock  Fingerless gloves (designed to use worsted-weight yarn samples).

mitts-plain-and-simple2 
Above: Welted fingerless gloves (DK yarn; hard to see, but they have handsome welted cuffs with nonfunctional decorative button trim), Easy Handspun mitts (sportweight yarn), Wabi-sabi Handspun mitts (knitted flat; designed to be knitted at the same time from two ends of a center-pull ball so you can use every bit of your yarn).

For fellowship and inspiration, join the Fingerless Glove Fanatics on Ravelry

Click here to browse all 1,400+ free fingerless mitt patterns on Ravelry

Coming Monday:  for good measure, a few colorful, textural, and lacy mitt patterns I overlooked earlier in the week (or that have been published since the series started).

Series:
Part 1 – textured mitts
Part 2 – colorful mitts
Part 3 – lacy mitts

Thursday, September 16, 2010

Pattern roundup: fingerless mitts, lace edition

Our fingerless mitt pattern series continues today with mitts featuring lace.
Why fingerless mitts? See the first post in the series.

Photos below are Ravelry screen shots, so scroll down for live links.
 mitts-lace1
Above, top row:  Cafe au lait, Veyla, Bronte’s Mitts. Bottom row: Snow on Cedars, Verdigris, Della Mitts.
mitts-lace2 Above, top row: Wine and Roses, Belladonna, Spiralling Leaves. Bottom row: 1965 Arm Warmers, Wild Growth (there are fingering and Aran-weight versions of this pattern), Barberry Mitts.
mitts-lace-4 Above, top row: Easy Lace Fingerless Mitts, Hand Springs, Riblitts. Bottom row: BonBons, Arctic Blast, Betsyanna.
mitts-lace3
And finally – Elin, Constance Spry, and the brand-new Maia Fingerless Mitts.


For fellowship and inspiration, join the Fingerless Glove Fanatics on Ravelry
Click here to browse all 1,400+ free fingerless mitt patterns on Ravelry

Coming Saturday: Plain & simple mitts, plus some overlooked gems

Series:
Part 1 – textured mitts
Part 2 – colorful mitts

Tuesday, September 14, 2010

Pattern roundup: Fingerless mitts part 2

We continue our fingerless mitt pattern series today with mitts featuring color – stripes, stranded, or otherwise.

Why fingerless mitts? See the first post in the series. Photos below are Ravelry screen shots, so scroll down for live links.

Without further ado:
mitts-color1 Above, top row: Andrea’s Mitts – stripes with a lacy cuff and edging; there’s a matching shawlette. Cotton Reel Mittens, Lusekofte-sque Mitts. Bottom row: Walking Stripes in three colors, using an unusual technique to avoid jogs at ends of rounds. Pueblo-inspired Albuquerque Gloves (go look at the projects to see a couple of beautiful color variations). The Pinstripe Mitts – sideways garter-stitch stripes, knitted flat.
mitts-color2 Above, top row: Composed Mitts, Diamondback Mitts with slip-stitch cabling over stripes, Fiets Hand Shoes in two-color brioche stitch. Bottom row: Fresco Fair Isle Mitts, Great Weekend Mitts (knitted flat and seamed; the ribbed false-button placket is picked up and knitted along the seam, hiding it), Little Gems Mitts.
mitts-color3 Above, top row: Winter Twilight, Latvian Fingerless Mitts, P.S. Mitts. OK, these do have half-fingers, but you can leave them off. Designed for hand-dyed yarns, using a twined-knitting technique to break up the colors. Pattern purchase link here.

Bottom row: Sleeveless in Seattle, Birds and Blooms Mitts, Bryophyta in beautiful mossy colors, with matching cowl.
mitts-color4 And finally: Eliza Fingerless Gloves in Noro with entrelac cuffs and a bit of corrugated ribbing; Shaadi Mitts (by my friend Jaya Srikrishnan, with mehndi-inspired patterning on back of hand and beautiful intricate two-color cable patterning on the palms); Duet (these remind me of Pueblo pottery – textured mitts with a fair isle wrist band).

For fellowship and inspiration, join the Fingerless Glove Fanatics on Ravelry
Click here to browse all 1,400+ free fingerless mitt patterns on Ravelry

Coming Thursday: Lacy mitts

Series:
Part 1 – textured mitts

Sunday, September 12, 2010

Pattern roundup: fingerless mitts – Part I

It feels like fall here all of a sudden, and I’m in the mood for warm-hands projects. Fingerless mitts are the perfect thing for people with (1) attention spans too short to finish sweaters or even a second sock (knitting a pair of mitts is like knitting one sock) and (2) an addiction to picking up “just one ball” of whatever yarn looks irresistible at the moment. They’re a great way to try a new-to-you knitting technique or an expensive luxury yarn, and easy to carry with you wherever you like to knit. They’re perfect for cold morning walks or typing in a chilly office – and they make great gifts for anyone and everyone.

It all started with Fetching, published in Knitty in 2006. More than 15,000 pairs have been knitted and uploaded as Ravelry projects. Now there are thousands of fingerless mitt patterns on Ravelry. More than 1400 of them are free (click here to see them all and do your own browsing – not all my picks are free, though). I’m breaking up this roundup of my favorites into four posts. Today, my picks for mitts with texture. (Photos are Ravelry screen shots – live links below each picture.)
mitts-texture1 First row: Seeta, Zephyr, and Goya. Second row: River Road, Get a Grip, and Mm-m-malabrigo Mitts.
mitts-texture3 First row: Green Thumb, Very Terhi, Smockies. Second row: Glorious Cabled Mitts, Zigzag Mitts, Hands of Blue.
mitts-texture2




Left column: Aegean Mitts, Kyla, Twist Mitts.

Right column: Sideways Gansey Style Mitts (worked flat), Larus + Ardea (featuring twined knitting), Peridot.
And for good measure, Entwined, Half Mitts with Viking-inspired Cables, and Dual Cable Fingerless Gloves.
mitts-texture4 Hooked? For fellowship and inspiration, go join the Fingerless Glove Fanatics on Ravelry. Coming Tuesday: mitts in color.

Friday, August 13, 2010

Review: Twist & Knit

windward-cover-thumb Twist & Knit, by Miriam Felton
Cooperative Press, 2010 (96 pages)
ISBN 978-0-979-20173-8
$20.00 US
Buy from mimknits.com    Ravelry link

Miriam Felton is a pioneer of independent knit design. She was one of the first to self-publish her patterns and sell them direct to knitters, way back in the days B.R. (Before Ravelry). Her lace shawls have been knitted by thousands; the Icarus shawl appeared in the Summer 2006 issue of Interweave Knits, and she’s published designs in Knitty, Twist Collective, and several books as well. Her new printed pattern collection, Twist & Knit, is self-published in the same pioneering spirit.

Somewhere between a pattern brochure and a full-scale book, Twist & Knit presents 12 accessory patterns. There are seven of the shawls and stoles Miriam is most known for, plus two lace scarves, one sock design, a cowl and a pair of fingerless mitts. Just one design has been published previously (the Cleite shawl, in Twist Collective’s debut issue). There’s an emphasis on the elegant lacework Miriam is so good at, but there’s also some intricate texture patterning.

Here’s the twist that makes this collection unusual: all the patterns are designed specifically so you can use exactly as much yarn as you happen to have. This book is great for hand spinners and collectors of luxury and/or hand-dyed yarns - small pattern repeats, simple shapes, and flexible gauge possibilities mean you can easily upsize or downsize, shorten or lengthen to make the most of your yarn. Tips are included for figuring out as you go how much yarn you’re using and how much you have left. Most of these adaptable designs are shown in two versions, at different gauges and with different yarns (one commercial, one handspun).

lune-shawl If you were to knit all the shawls in the book, you’d get a good education in the variety of possible ways to shape a shawl. Four are triangular, but shaped in three different ways. Cleite and the Comfy shawl are worked from the center neck outward and downward. Motte is knitted sideways, and Vinca begins with a center-out square and adds wings knitted out from two sides. Lune (at left) is a graceful crescent shape with four swirling increase lines.

The lace stoles and scarves are straightforward oblongs worked from end to end. The Transverse scarf is ultra-simple; Tudor Stole and Dropleaf Wrap have intricate but not difficult lace patterning. The Colonnade scarf begins and ends with a deep sideways border.

The remaining patterns all feature texture more than lace. The Windward cowl, with pretty cable and eyelet patterning, is just the thing for a skein of Bugga! I have in stash; I could get two of them from it. Mmm, cashmere around the neck. Some angora/merino fiber that needs to be spun up would also be lovely for this design. The toe-up Porifera socks are mostly 2 x 2 ribbing, with a band of lozenge lacework around the cuff and, for a bit of whimsy, on the toe. The pattern is written for four different stitch counts – from 32 to 96 – so you can make any size you want at almost any gauge. Last but not least, the Gable mitts feature delicate twisted-stitch patterning and an unusual fingers-to-cuff construction.
porifera-socks
Twist & Knit will keep experienced knitters happy, but I think it’s a great collection for newer knitters as well because of the focus on relatively small projects with simple construction, but  interesting stitch patterns and details. About 30 pages of useful information at the front of the book cover chart reading and blocking, and give in-depth photo tutorials for all special techniques used in the patterns. There’s also a handy wraps-per-inch chart that you can compare your yarn to; the patterns give wpi for each yarn used. Sources are listed for all the yarns and fibers as well.

The patterns themselves are well written and well laid out. Each begins with a short description of the construction – a wonderful feature – and notes on how to adapt the pattern for different gauges or yarn amounts. Materials, gauge, and finished size are listed in a sidebar so it’s easy to spot them at a glance. Most knitting books and magazines don’t allow enough space for this kind of layout, but it’s much easier on the reader.

Production values are quite professional.  Miriam  did the book design and all the photography herself – this must have been a huge, complicated project. Text and charts are clear and easy to read; photos are attractive and show the designs well, for the most part. There are no written instructions for the lace stitch patterns; you will need to work from the charts. There are also no schematics, but they’re not needed for these patterns.

You can order the book from mimknits.com for $20; with shipping, you will have paid just over $2.00 per pattern, all told – a good value. For an extra $2.00, you’ll get PDFs of all the patterns except Cleite. If you don’t want all the patterns and won’t miss the supplementary technique material, all designs (except Cleite) are available on Ravelry as individual PDF downloads or in three PDF collections. Collection #1 has the Lune, Vinca, Comfy, and Motte shawls. #2 has the four rectangular lace stoles and scarves. #3 gets you the socks, cowl, and mitts. You can buy the book at your LYS too (or have them order it for you).

Final note: there are minor errata for printed books shipped before August 4 – details here and printable PDF here. If you order the book directly from Miriam after reading this, errata will not be an issue.

Monday, August 9, 2010

Happy 100th, EZ

Today would have been Elizabeth Zimmermann’s 100th birthday. I think she’d be pleased at the many thoughtful expressions of thanks directed her way. She’d be glad that her endlessly inventive designs continue to provide challenges and inspiration to new generations of knitters. As for being a trending topic on Twitter – well, that might be a little hard to explain to her!

A few months ago when I launched our EZ & Meg pattern index, I wrote here about what a pleasure it was to work on. I read through every EZ book and pattern. Writing pattern summaries for some of her brain-teaser designs (surprise jacket, for instance) was challenging indeed. Her wry comments made me laugh, her wise ones made me nod in agreement. It would be entertaining to give you a selection of funny quotes here, but she wasn’t just funny. Her Digressions contain much beautiful and thought-provoking writing about the world she lived in. This, for instance, from Knitting Around:
“And finally, what about our new country America? America is not better, but different…Damn these people, whose parents went through untold agonies to come to the New World away from the prejudice and self-importance of the old. They are now just as self-important themselves…Of course it’s a splendid country; of course I love it dearly, but there are other countries no less splendid, or shall we say no less faulty, and their inhabitants love them dearly too. And that is to the credit of all concerned, until it comes to the point of thinking that there can only be one splendid country, namely one's own…”
Thanks, Elizabeth! May we all knit on with your curiosity, intrepidity, and joie de vivre as a model.

I leave you with a peek at some of the 31,000+ EZ-designed projects you’ll find on Ravelry. Click here to browse them in all their glory!
ez-projects

Tuesday, July 20, 2010

Something new

Announcing…Knitfinder news & notes, a new source for short, frequent knitting news and tidbits posted several times a day (usually). You’ll find patterns and tutorials that catch my eye, new books and magazines, a good sale now and then, links to interesting interviews, blog posts, knitting in the news or on the street, and so on. You can subscribe if you like, and your comments and suggestions are welcome. There’s a link in this blog’s sidebar, and a news/notes button on the menu bar over at Knitfinder as well.

If you’re a fan of Knitfinder on Facebook this will look familiar – same content will appear both places. Here’s a screenshot:
news-notes-screenshot
Don’t worry - this blog isn’t going anywhere; it will still be the place for longer, more thoughtful posts.

In other Knitfinder news – there’s a new demo of the full subscriber version of our Starmore pattern index. I’ve been adding detail to it, including lists of colors required for Fair Isle designs. Check it out!

Friday, July 16, 2010

Nevada sagebrush

I’ve written before about my friend Janine, the Feral Knitter and colorwork genius. I took my knitting down to her open house yesterday evening for a visit. Besides a happy hour or two of knitting and conversation, I enjoyed myself by pawing through the yarn playpen, trying to put together colors for a Nevada sagebrush-inspired sweater (or throw? or ???)  Here’s the playpen, filled with every color of Jamieson’s Spindrift:
6a00d83451687269e20133f1ec846e970b-320wiphoto from Feral Knitter

And here’s my inspiration, from two road-trip vacations in the last year to Montana and Idaho, via Nevada (mostly). We made the first trip last September, and just got back this week from a second:
Most people will tell you that northern Nevada’s high desert scrub makes for the most boring driving on earth. We don’t agree. In September especially, the sagebrush scrub was full of glorious color. There was the soft dry gray of the sagebrush itself; darker green of juniper, and charcoal-brown of juniper bark; bleached straw of dry grass; russet and pale pink seedheads; acid yellow and rhubarb-pink blooms; and shots of brilliant chartreuse here and there.  The large photo above gives a glimpse. These were my feeble attempts to capture it on camera:
P1350014 P1350015 P1350018
Pictures taken at 85 mph don’t work so well. The photo above captures some of the colors well, and here’s a gallery of better ones I gathered on Flickr: http://www.flickr.com/photos/couleeca/galleries/72157624390876393/

Janine brought out one of her inspiration notebooks – and there was a big magazine photo of the same Nevada landscape pasted in! Here’s what I came up with for a start:
nevada-sagebrush-yarns
Poor photo, but colors are semi-close on my monitor. Top row: earth, sphagnum, thyme, lichen, and rye. The reds and pinks: rust, chestnut, spice, cinnamon, and coral (I think). Yellows, in the middle: daffodil and lemon, with the darker bronzey-gold bracken at right. Greens: moss, leprechaun, and pistachio. It’s only a start – we couldn’t find just the right acid yellow, sagebrush green, dead-grass-straw, or seedhead-rust. More detective work is in order – perhaps some Elemental Affects colors would fill the bill. (Here’s a full Spindrift color chart at Camilla Valley Farm; you can order the real thing from Janine – info here.)

Janine’s online store, Feralknitter.com, is under construction and should be up and running soon. She sells every single Spindrift color (you don’t have to wait for the finished website) and she’s offering mini 20-yard skeins for sampling – perfect for playing around and developing your own colorwork designs, as she teaches in her classes. She’s aiming to make Feral Knitter a home-on-the-web for knitters who love Fair Isle-style stranded colorwork, and she’s got some great, unusual ideas for the site. Stay tuned at her blog. Me, I’m going to order some miniskeins soon and start swatching.

Saturday, June 19, 2010

TNNA Columbus 2010

Last weekend I attended (for the first time) the summer TNNA Needle Arts Market in Columbus, Ohio. TNNA  exhibitors are mainly yarn industry folks, there to show their new lines and colors and take orders from retail (LYS) buyers. Publishers and designers exhibit as well, along with people who make needle arts tools and supplies, buttons, jewelry, and the like.

Unfortunately, photography is not allowed on the show floor, so this post will be short on pictures. And it’ll be long on text – but I’ll give you lots of links.

The Ravelry folks had special photo dispensation, and they acted as roving reporters, posting candid photos and video on the HelloTNNA website. I’ll show you my swag - it was sparse because whenever I entered a booth, I’d tell the exhibitor I wasn’t a retailer, so they shouldn’t waste it on me! I did come away with a few miniskeins of interesting yarns, but my real score was this, given to me by the generous folks at Blue Sky Alpacas:
bsa-dpns
Rosewood DPNs in their gorgeous trademark tin. They really know packaging.

Yarn orders get written up, but all sorts of other business and networking goes on too. I was there to see what’s new for fall – yarns, books, patterns – but mostly to meet people and make connections that will help me to grow Knitfinder. I got lots of practice introducing myself and Knitfinder in a few words.
The show floor opens on Saturday, so Friday was for pre-show presentations and fashion show. I saw Norah Gaughan & Cirilia Rose introduce the fall Berroco patterns and Trisha Malcolm of Vogue Knitting present fall fashion and color trends (yellow is the new green, you’ll be happy to know).
color-trendsFall color trends. Pantone numbers left to right: 13-0632; 15-1050; 16-1546; 19-1764; 18-3027; 19-1526 (wrong on image); 16-5418; 18-0538; 18-4105; 14-1508.
Full 62-page report is here (!)

Ysolda Teague presented the garments & patterns from her upcoming book, Little Red in the City. Here’s a peek at some of them. It’s a great collection, featuring large-sized versions of all the sweaters that have been meticulously redesigned, not just blindly upsized from the small ones. The printed book will include detailed information on customizing the designs for a perfect fit.

Friday evening was the fashion show – 99 items were in it. Many interesting, wearable designs you’d be happy to cast on for tomorrow; a few duds; and some wild high-fashion things that probably won’t be knitted or worn, but I was happy to see on the runway. Project Runway winner Irina Shabayeva’s Feather Coat (knitted by designer Josh Bennett; scroll down to fourth photo) was included and will be in the fall issue of Vogue Knitting. Full video of the show will be online in a couple of weeks. Edited to add: Videos are now available. Here's the opener; find all the segments here.


Spent all day Saturday & Sunday walking the show floor (with occasional jaunts across the street to the wonderful North Market for sustenance). Let’s see. I had a chance to tell some of my favorite designers how much I admire their work, including Ysolda Teague, Véronik Avery, Robin Melanson, Norah Gaughan, Tanis Gray, Bonne Marie Burns, Lucy Neatby, Nancy Marchant, Olga Buraya-Kefelian, Kristen Rengren, Stephen West, and Annie Modesitt. Missed meeting many other design luminaries – I just ran out of time!
image Inside Columbus’s North Market

New and new-to-me yarn standouts: Zealana Rimu and Kiwi (possum blends from New Zealand); Silkindian Duke Silk; Fyberspates Scrumptious DK; Madelinetosh yarns; St.-Denis Boreale and Nordique; and Classic Elite Magnolia (merino-silk) and Woodland (wool-nettle). There were new lace yarns from Manos del Uruguay (Manos Lace, alpaca-silk-cashmere) and Brown Sheep (Legacy Lace, wool-nylon). And of course I was irresistibly drawn to the luxury fibers from Buffalo Gold and Jacques Cartier – bison, guanaco, vicuña.

There was a lot of emphasis on sustainability and organics. More on that in another post one of these days, but yarns in the eco vein included Imperial Stock Ranch Columbia wool, Ecobutterfly Organics/Pakucho cotton, the Belle Organic DK and Aran from Rowan, and two nice yarns made from recycled fibers: Rowan Purelife Revive and Berroco Remix. Of course, some companies have been producing eco- and farmer-friendly yarns for years, like Mountain Meadow Wool and Green Mountain Spinnery.

Plenty of inspiring books and patterns. Shannon Okey’s new Knitgrrl Guide to Professional Knitwear Design looks like a must for any wannabe (or working) knit designer. New/upcoming books from designers that look great: Miriam Felton’s Twist & Knit, Donna Druchunas’s Successful Lace Knitting, Kristina McGowan’s Modern Top-Down Knitting, Ysolda Teague’s Little Red in the City, and New England Knits, from Cecily Glowik MacDonald and Melissa LaBarre. I loved the fall patterns from both Classic Elite and Berroco. And (whispering) watch for Crochet So Fine, from Kristin Omdahl. I don’t crochet, but there are wonderful designs in this book.
image 
Most beautiful booths? Hana Silk Ribbon (not sure what they were doing in the middle of the yarn section, but their wares are sure beautiful!), Chic Knits (an oasis of calm neutrals against the barrage of color elsewhere), and Mountain Colors. The Midwest Modern Knits booth was not too shabby either, and Amy Butler herself was in attendance. Most fun, comfy and whimsical booths: Ysolda Teague (shared with Gudrun Johnston and Laura Chau), Be Sweet, and Pick Up Sticks.

Shared meals and conversation with roommate Jessica, Julia Grunau of Patternfish, and Bonne Marie Burns of Chic Knits, among others. Finally met Casey of Ravelry and chatted about search design – and other things - for a few minutes. What a nice guy. At the Ravelry ice cream social on Friday night, I talked with Jeni of Jeni’s Splendid Ice Creams, which are all they’re cracked up to be (goat cheese and roasted cherry -mmmm). In another life, I was in the ice cream business myself at Downtown Bakery & Creamery, so we had plenty to talk about.

Last but not least, two of my favorite print magazines had booths. Neither is strictly knitting, but both are beautiful and interesting and should be in every LYS. Wild Fibers covers fiber production around the world, with an emphasis on small producers and environmental and cultural sustainability. The current issue’s cover article is on the living Inca textile tradition.
image image
Selvedge magazine, based in the UK, covers textiles wherever it finds them – in knitting, fashion, interiors, art, industry, and around the world. Every themed issue is a feast for the eyes, but there’s great writing too. The good news is the magazine will now be printed in the US as well as in the UK, so North American subscription rates have gone down. Go explore the excellent website – you can also subscribe to a digital edition (but that seems like a shame).

And there you have it – just the tip of the iceberg, believe it or not. Wish I’d had a buyer’s budget like Jessica – I would have ordered stuff right and left.

Tuesday, June 8, 2010

Tips for knitting from PDF patterns

I started a new project a few days ago – Stephen West’s Daybreak shawl. As usual, I made an electronic copy of my PDF pattern and added some notes to it. This is very handy, especially if you have a tendency to work on lots of patterns at the same time and/or stop working on something and go back to it later when you don’t remember the details. I thought I’d share how I do this.

daybreak-wipDaybreak in progress
 
Most people, including me,  have Adobe Reader on their computers for opening and reading PDF files. But I’ve got another free PDF viewer as well, because it has some nifty tools for adding notes and comments to PDFs: Foxit Reader (click on the link to go get the download). Unfortunately, there’s no Mac version.

When you open a PDF document in Foxit Reader, you’ll see a bunch of icons across the top of your window under the drop-down menu categories. We’re interested in the last few icons – a pencil, a T highlighted yellow, and a balloon with text in it. These tools allow you to add a text note, highlight text, or add a hidden popup note or comment. Just click on the tool icon you want to use, then click in the PDF at the point where you want to insert your note, or click and drag to select text for highlighting.

Here’s my routine. First, I open the pattern PDF and save the file with a new name – otherwise you can’t save the changes you make to it. I made a copy of my Daybreak pattern and named the file “Daybreak-notes.pdf.” This way, you always have a pristine original copy of the pattern, plus a marked-up working copy.

I clicked the highlight tool, then highlighted the size I’m making and the needle size specified. Next, I clicked the pencil icon for the comment tool, then clicked in the pattern and added the two blue comments you see, a note about the yarns I’m using and confirmation that I’m using the recommended needle size:

clip_image002
 On the next pattern page, I’ve highlighted the stitch counts for the size I’m making, added notes about which color is which and how I’m changing colors, and also added a hidden popup note (the yellow thing next to the word “Stripes”):

clip_image002[9]
 When I click on the sticky note icon, I get a popup window that shows me the whole note, which looks like this:

Untitled-1
 These popups have a scroll bar, so the notes can be as long as you want – handy when you don’t have room to enter all the text right on the pattern as a comment. I haven’t been able to figure out how to make them print, though.

Other free PDF viewers may have similar comment features – experiment with yours. The next one I’m going to try is PDF-XChange Viewer. I believe Adobe Reader’s sticky note feature has some restrictions that make it difficult to use, but if you use it I’d be curious to know how it works for you.

I’m heading off to the TNNA (The National NeedleArts Association) summer trade show in Columbus, Ohio on Thursday. It’s my first time – looking forward to meeting lots of yarn & knitting industry folks and seeing what’s new for fall. I won’t have time to blog, but I will post updates on the Facebook page and Twitter. There are still a couple of Cool Yarns for Hot Days posts coming as well, but they may take awhile.

Monday, May 31, 2010

Cool yarns for hot days: 1

(ETA: faulty links in the post have been fixed...sorry about that!)

Only the first of June, and much of North America has already had its first heat wave (although our West Coast spring has been cool and damp). Knitting with wool or alpaca isn’t very appealing when the mercury’s over 90, so how about some linen, hemp, or bamboo?

Yarns in these fibers aren’t hard to find these days, but many of us haven’t tried them. I find them cool and pleasant to handle – just the thing for hot-weather knitting.

hemp-and-linen Elann Canapone (hemp), Euroflax Paris (laceweight linen)

Hemp and linen garments are soft, drapey and cool to the touch – wonderful to wear in hot weather, especially if they have a bit of ease so they don’t cling too tightly. An added bonus is that they may be machine washed and dried – the more you do it, the softer they get. This Lacy Little Top I made for my daughter several years ago took a lot of punishment and always looked and felt great.

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P1400095 Good yarns for projects like this are Louet Euroflax Sport Weight (at left, 100% linen) and Hemp for Knitting Allhemp 3 and Allhemp 6 (100% hemp, fingering or DK weight). Elann has a pure linen sportweight coming on June 8 (Lino Pura). There are also some great blends – Elsebeth Lavold Hempathy (cotton/hemp/modal, DK weight); Knit Picks CotLin (cotton/linen); and several DK cotton/linen blends by Elann (Cotone Lin, Sula, Camila). When you touch these yarns in the skein, they feel a bit crisp and stiff – but the process of winding the yarn, and handling it as you knit, softens it. Keeping your tension on the loose side will make knitting with them a pleasant experience.


image Simple shapes and stitches look good in linen and hemp; so do unusual “architectural” details. A few pattern suggestions: Julie Weisenberger of Cocoknits has a talent for sheer, summery designs in linen and cotton yarns – how about the sleeveless Liesl tank top/dress in Euroflax linen? Very chic design – sheer stockinette stitch with an asymmetrical handkerchief hem and pockets. Then there’s the pretty button-back Kathy’s Knot Garden Tank (right) in Allhemp 3 and last summer’s hit Buttercup (free pattern), a top in Hempathy with short puffed sleeves and feather-and-fan lace yoke. Olga Buraya-Kefelian’s Petal Halter is a tank top in a DK cotton/linen blend with curving tiers of stockinette, but it could be knit in any blend containing linen, hemp or bamboo. Here’s a beautiful version by soknitpicky in three colors.

If you’re up for a larger project, skirts and dresses are a possibility. Gudrun Johnston’s Little Black Dress  and Hip in Hemp elastic-waist skirt are two good options, both in Hempathy, both free. Hip in Hemp uses rippling stripes in several colors – very exuberant and summery. Sized for girls or women.

Both Knitty and Interweave Knits have published patterns for bamboo, hemp and linen yarns over the years – to find them, check the Knitfinder pattern indexes and type “bamboo” “linen” or “hemp” into the yarn column search box. Hemp for Knitting has great pattern support for their yarns, and you can buy any pattern online over at Patternfish and download it immediately – find all the patterns here.

Linen in particular is great for lace garments or accents, especially in finer weights.  Need inspiration? How about wakana’s Butterfly camisole, Khakigirl’s Fancy summer tank, Aniko’s Counterpane Blouse from the current (Summer 2010) issue of Interweave Knits (Ravelry pattern link) and knittwopurltwo’s Wakame Lace tunic?

Designs featuring texture and color techniques work too – just take a look at Aniko’s Linen Eastlake and the Roped Shells by u22grumpy and titianknitter.

I don’t want to sign off without mentioning an unusual cotton yarn I love: cotton gima from Habu Textiles.  It’s a narrow, light cotton ribbon that almost looks like paper. Knitted up, it looks crisp, but feels soft. This is color 53, called "oak.”

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There are several elegant top and cardigan patterns for this yarn. The Leah Tunic (free over at Purl Bee) is a long tank top with a draped neckline knitted at 7 stitches to the inch. Julie Weisenberger’s Gretel is the same idea, but knitted at a sheer open gauge of 19 stitches/4 inches:

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The Gisela cardigan, also from Cocoknits, uses the same yarn at an even more open gauge (17 stitches/4”). Photos do not do this design justice; I tried it on once at a Habu trunk show (along with several other people) – it looked great on everyone. Cotton gima is inexpensive, and at these gauges it goes a long way – the yarn for these designs in average sizes may be had for under $30.

More ideas for these hot-weather yarns in the next couple of posts – non-clothing projects, lace, and more. Stay tuned—and keep cool!

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Almost forgot: in case you missed the news flash elsewhere, I did finish my handspun shawl. Ugly duckling that it was, blocking turned it into a swan. Here’s the Ravelry link.