Nevada sagebrush

I’ve written before about my friend Janine, the Feral Knitter and colorwork genius. I took my knitting down to her open house yesterday evening for a visit. Besides a happy hour or two of knitting and conversation, I enjoyed myself by pawing through the yarn playpen, trying to put together colors for a Nevada sagebrush-inspired sweater (or throw? or ???)  Here’s the playpen, filled with every color of Jamieson’s Spindrift:

photo from Feral Knitter

And here’s my inspiration, from two road-trip vacations in the last year to Montana and Idaho, via Nevada (mostly). We made the first trip last September, and just got back this week from a second:

photo by slgwv

Most people will tell you that northern Nevada’s high desert scrub makes for the most boring driving on earth. We don’t agree. In September especially, the sagebrush scrub was full of glorious color. There was the soft dry gray of the sagebrush itself; darker green of juniper, and charcoal-brown of juniper bark; bleached straw of dry grass; russet and pale pink seedheads; acid yellow and rhubarb-pink blooms; and shots of brilliant chartreuse here and there.  The large photo above gives a glimpse. These were my feeble attempts to capture it on camera:
Pictures taken at 85 mph don’t work so well. The photo above captures some of the colors well, and here’s a gallery of better ones I gathered on Flickr: http://www.flickr.com/photos/couleeca/galleries/72157624390876393/

Janine brought out one of her inspiration notebooks – and there was a big magazine photo of the same Nevada landscape pasted in! Here’s what I came up with for a start:

Poor photo, but colors are semi-close on my monitor. Top row: earth, sphagnum, thyme, lichen, and rye. The reds and pinks: rust, chestnut, spice, cinnamon, and coral (I think). Yellows, in the middle: daffodil and lemon, with the darker bronzey-gold bracken at right. Greens: moss, leprechaun, and pistachio. It’s only a start – we couldn’t find just the right acid yellow, sagebrush green, dead-grass-straw, or seedhead-rust. More detective work is in order – perhaps some Elemental Affects colors would fill the bill. (Here’s a full Spindrift color chart at Camilla Valley Farm; you can order the real thing from Janine – info here.)

Janine’s online store, Feralknitter.com, is under construction and should be up and running soon. She sells every single Spindrift color (you don’t have to wait for the finished website) and she’s offering mini 20-yard skeins for sampling – perfect for playing around and developing your own colorwork designs, as she teaches in her classes. She’s aiming to make Feral Knitter a home-on-the-web for knitters who love Fair Isle-style stranded colorwork, and she’s got some great, unusual ideas for the site. Stay tuned at her blog. Me, I’m going to order some miniskeins soon and start swatching.

TNNA Columbus 2010

Last weekend I attended (for the first time) the summer TNNA Needle Arts Market in Columbus, Ohio. TNNA  exhibitors are mainly yarn industry folks, there to show their new lines and colors and take orders from retail (LYS) buyers. Publishers and designers exhibit as well, along with people who make needle arts tools and supplies, buttons, jewelry, and the like.

Unfortunately, photography is not allowed on the show floor, so this post will be short on pictures. And it’ll be long on text – but I’ll give you lots of links.

The Ravelry folks had special photo dispensation, and they acted as roving reporters, posting candid photos and video on the HelloTNNA website. I’ll show you my swag - it was sparse because whenever I entered a booth, I’d tell the exhibitor I wasn’t a retailer, so they shouldn’t waste it on me! I did come away with a few miniskeins of interesting yarns, but my real score was this, given to me by the generous folks at Blue Sky Alpacas:

Rosewood DPNs in their gorgeous trademark tin. They really know packaging.

Yarn orders get written up, but all sorts of other business and networking goes on too. I was there to see what’s new for fall – yarns, books, patterns – but mostly to meet people and make connections that will help me to grow Knitfinder. I got lots of practice introducing myself and Knitfinder in a few words.
The show floor opens on Saturday, so Friday was for pre-show presentations and fashion show. I saw Norah Gaughan & Cirilia Rose introduce the fall Berroco patterns and Trisha Malcolm of Vogue Knitting present fall fashion and color trends (yellow is the new green, you’ll be happy to know).

Fall color trends. Pantone numbers left to right: 13-0632; 15-1050; 16-1546; 19-1764; 18-3027; 19-1526 (wrong on image); 16-5418; 18-0538; 18-4105; 14-1508.
Full 62-page report is here (!)

Ysolda Teague presented the garments & patterns from her upcoming book, Little Red in the City. Here’s a peek at some of them. It’s a great collection, featuring large-sized versions of all the sweaters that have been meticulously redesigned, not just blindly upsized from the small ones. The printed book will include detailed information on customizing the designs for a perfect fit.

Friday evening was the fashion show – 99 items were in it. Many interesting, wearable designs you’d be happy to cast on for tomorrow; a few duds; and some wild high-fashion things that probably won’t be knitted or worn, but I was happy to see on the runway. Project Runway winner Irina Shabayeva’s Feather Coat (knitted by designer Josh Bennett; scroll down to fourth photo) was included and will be in the fall issue of Vogue Knitting. Full video of the show will be online in a couple of weeks. Edited to add: Videos are now available. Here's the opener; find all the segments here.

Spent all day Saturday & Sunday walking the show floor (with occasional jaunts across the street to the wonderful North Market for sustenance). Let’s see. I had a chance to tell some of my favorite designers how much I admire their work, including Ysolda Teague, Véronik Avery, Robin Melanson, Norah Gaughan, Tanis Gray, Bonne Marie Burns, Lucy Neatby, Nancy Marchant, Olga Buraya-Kefelian, Kristen Rengren, Stephen West, and Annie Modesitt. Missed meeting many other design luminaries – I just ran out of time!

 Inside Columbus’s North Market

New and new-to-me yarn standouts: Zealana Rimu and Kiwi (possum blends from New Zealand); Silkindian Duke Silk; Fyberspates Scrumptious DK; Madelinetosh yarns; St.-Denis Boreale and Nordique; and Classic Elite Magnolia (merino-silk) and Woodland (wool-nettle). There were new lace yarns from Manos del Uruguay (Manos Lace, alpaca-silk-cashmere) and Brown Sheep (Legacy Lace, wool-nylon). And of course I was irresistibly drawn to the luxury fibers from Buffalo Gold and Jacques Cartier – bison, guanaco, vicuña.

There was a lot of emphasis on sustainability and organics. More on that in another post one of these days, but yarns in the eco vein included Imperial Stock Ranch Columbia wool, Ecobutterfly Organics/Pakucho cotton, the Belle Organic DK and Aran from Rowan, and two nice yarns made from recycled fibers: Rowan Purelife Revive and Berroco Remix. Of course, some companies have been producing eco- and farmer-friendly yarns for years, like Mountain Meadow Wool and Green Mountain Spinnery.

Plenty of inspiring books and patterns. Shannon Okey’s new Knitgrrl Guide to Professional Knitwear Design looks like a must for any wannabe (or working) knit designer. New/upcoming books from designers that look great: Miriam Felton’s Twist & Knit, Donna Druchunas’s Successful Lace Knitting, Kristina McGowan’s Modern Top-Down Knitting, Ysolda Teague’s Little Red in the City, and New England Knits, from Cecily Glowik MacDonald and Melissa LaBarre. I loved the fall patterns from both Classic Elite and Berroco. And (whispering) watch for Crochet So Fine, from Kristin Omdahl. I don’t crochet, but there are wonderful designs in this book.

 

Most beautiful booths? Hana Silk Ribbon (not sure what they were doing in the middle of the yarn section, but their wares are sure beautiful!), Chic Knits (an oasis of calm neutrals against the barrage of color elsewhere), and Mountain Colors. The Midwest Modern Knits booth was not too shabby either, and Amy Butler herself was in attendance. Most fun, comfy and whimsical booths: Ysolda Teague (shared with Gudrun Johnston and Laura Chau), Be Sweet, and Pick Up Sticks.

Shared meals and conversation with roommate Jessica, Julia Grunau of Patternfish, and Bonne Marie Burns of Chic Knits, among others. Finally met Casey of Ravelry and chatted about search design – and other things - for a few minutes. What a nice guy. At the Ravelry ice cream social on Friday night, I talked with Jeni of Jeni’s Splendid Ice Creams, which are all they’re cracked up to be (goat cheese and roasted cherry -mmmm). In another life, I was in the ice cream business myself at Downtown Bakery & Creamery, so we had plenty to talk about.

Last but not least, two of my favorite print magazines had booths. Neither is strictly knitting, but both are beautiful and interesting and should be in every LYS. Wild Fibers covers fiber production around the world, with an emphasis on small producers and environmental and cultural sustainability. The current issue’s cover article is on the living Inca textile tradition.
Selvedge magazine, based in the UK, covers textiles wherever it finds them – in knitting, fashion, interiors, art, industry, and around the world. Every themed issue is a feast for the eyes, but there’s great writing too. The good news is the magazine will now be printed in the US as well as in the UK, so North American subscription rates have gone down. Go explore the excellent website – you can also subscribe to a digital edition (but that seems like a shame).

And there you have it – just the tip of the iceberg, believe it or not. Wish I’d had a buyer’s budget like Jessica – I would have ordered stuff right and left.

Knit tourism

I spent last week in Wisconsin - went to visit one of my daughters for Thanksgiving. She lives in Wausau, a smallish city that some locals claim is boring, uncool, in short Nowheresville. But I found plenty to see and do. I visited the LYS, Black Purl, on Black Friday:

The first thing I do in a new town is check out the LYS - it's one of my ways of taking the temperature of an unfamiliar place, kind of like checking out the coffeehouses or the bookstores. I loved Black Purl. How hip is that building? And the railroad tracks location? It looks like it belongs in San Francisco or NYC. I don't know how well you can see the edgy black-on-black decoration on the facade, but it's very cool. There's a better picture on the store website right here.

The store was packed with beautiful yarn; a big table in the front window was occupied by a bunch of knitters (including a young man) happily wielding their needles and chatting. I was wearing a new shawl finished for the trip (Aestlight, more on that in another post), and as I was paying for my yarns and magazine one of those knitters came up behind me and took it from my shoulders, threw it around hers, and went off to model it for her friends. (I did get it back.) Owner Beth Anne Paustian is a prolific designer too. You can see some of her patterns on her Ravelry designer page.

An afternoon visit with Knittin Brit Kim was another highlight of the trip. We managed to make our tea and hot chocolate last two hours while we yakked about knitting, spinning, and even some non-fiber-related topics. She's a local who loves her town; no disparaging words about Wausau from her! She also teaches classes at Black Purl occasionally.

Oh - and I got some knitting done. A beautiful Ice Queen for my daughter. I cast on on the plane heading east, and finished and blocked it the day before we flew home.

This one is done without beads and without the picot bindoffs, but it is still lovely, and just the thing for winter in Wisconsin. Designer Rosemary Hill gave me the yarn - my other daughter modeled the original Ice Queen for her. I still have to knit one for her - that's next on the list!